At the height of his career, Richard Williams was hailed as the next Walt Disney. He wanted to prove that animation was high art, not just something to sell toys and cereal. So he spent three decades working on a single film called The Thief and The Cobbler, which was going to be extraordinary. But he made a deal with a movie studio that he couldn't keep. Garrett Gilchrist, Kevin Schreck, Neil Boyle and Greg Duffell discuss whether Hollywood or Williams's perfectionism did him in.
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